I create vignettes of American domestic life using found digital images. This work intertwines perception and narratives into the reconstruction of these environments, highlighting how impressions and expectations inform experiences of space. The compositions blur the lines between picture and collage by overlaying keyword-sourced materials onto component shapes. Challenging the conventional idea of “home” as a blank canvas, I present it as a complex space influenced by countless factors. Even seemingly static forms become imbued with emotions and meanings through the images used, reflecting the intricate dance between social norms and cultural values in our everyday surroundings.
———
Adam Cable has shown in several group and solo exhibitions, including at the Amos Eno Gallery project space, NYC; The Painting Center, NYC; University of North Carolina, Asheville; PULSE Art Fair, Miami; Local Project, NYC; and The Plaxall Gallery, NYC. At the end of 2020, he co-curated "Annus Horribilis" with Float Magazine, a group exhibition of work created that globally significant year, while in 2021, The Wassaic Project included his work in the book Secrets of the Friendly Woods. Cable holds an MFA from the School of Visual Arts (2017) and a BFA from the University of North Carolina, Asheville (2013). He lives and works in Brooklyn NY.
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| 2025 | Domestic Tectonics, Amos Eno Gallery project space, New York, NY (solo exhibition) |
| 2023 | Emerging Artists 2023, dodomu, Brooklyn, NY (online) |
| 2022 | Break of Day, Edge of Night, The Painting Center, New York, NY |
| The Patriot, O'Flaherty's, New York, NY | |
| 2021 | The Space In Between, The Space In Between Gallery (online) |
| 2019 | Art and Revelry, Saint-Paul de Mausole, Saint-Rémy-de-Provence, France |
| 2018 | Place Title Here, The Plaxall Gallery, Queens, NY (with Quinn Tivey and Julianne Nash, curated by Dana Stirling) |
| L'art du Partage, Saint-Paul de Mausole, Saint-Rémy-de-Provence, France | |
| 2017 | Real Realities, UNC-Asheville, Asheville, NC (solo exhibition) |
| PULSE Miami Beach, Miami, FL (SVA Galleries booth) | |
| BOTANICAL, Local Project, Queens, NY | |
| Whispering Whims, SVA Flatiron Gallery, New York, NY | |
| SPACE (curated by Float Photo Magazine), Littlefield, Brooklyn, NY | |
| MFA Photo, Video, and Related Media Thesis Exhibition, SVA Chelsea Gallery, New York, NY | |
| 2016 | You Are One of a Kind, K&P Gallery, New York, NY |
| 404: IRL Not Found, SVA Flatiron Project Space, New York NY (installation with Selkei Moss and Sullivan Gardner) | |
| Cross-Cultural Dialogue, Fantastic Art China, Javits Center, New York, NY | |
| 2015 | Working Artists, Academic, Queens, NY |
| 2013 | Lavender War, UNC-Asheville, Asheville, NC (solo exhibition) |
| Carolina's Got Art! 2013 Juried Exhibition, Elder Gallery, Charlotte, NC (juried by Lance Esplund) |
| 2020 | Annus Horribilis, Float Photo Magazine (online; co-curator) |
| 2025 | Carey, Brainard, host. “Adam Cable." The Museum of Non-Visible Art, Yale University Radio, 17 September 2025, https://museumofnonvisibleart.com/interviews/adam-cable/ |
| 2021 | Secrets of the Friendly Woods, The Wassaic Project, Wassaic, NY |
| Ren, Lingfei, "Curation," Musée Magazine, Issue 25, New York, NY | |
| Annus Horribilis, Float Photo Magazine, New York, NY | |
| 2017 | Calder, Thomas, "Asheville Art Talk: Former UNC Asheville student returns to campus as visiting artist," Mountain Xpress, August 23, 2017 |
| 2016 | "At Work," All the best, Alice, Visual Arts Press, New York, NY |
| 2017 | MFA: Photography, Video, and Related Media, School of Visual Arts, New York, NY |
| 2013 | BFA: Studio Art; Undergraduate Research Scholar, University of North Carolina Asheville, Asheville, NC |
I create vignettes of American domestic life using found digital images. This work intertwines perception and narratives into the reconstruction of these environments, highlighting how impressions and expectations inform experiences of space. The compositions blur the lines between picture and collage by overlaying keyword-sourced materials onto component shapes. Challenging the conventional idea of “home” as a blank canvas, I present it as a complex space influenced by countless factors. Even seemingly static forms become imbued with emotions and meanings through the images used, reflecting the intricate dance between social norms and cultural values in our everyday surroundings.
———
Adam Cable has shown in several group and solo exhibitions, including at the Amos Eno Gallery project space, NYC; The Painting Center, NYC; University of North Carolina, Asheville; PULSE Art Fair, Miami; Local Project, NYC; and The Plaxall Gallery, NYC. At the end of 2020, he co-curated "Annus Horribilis" with Float Magazine, a group exhibition of work created that globally significant year, while in 2021, The Wassaic Project included his work in the book Secrets of the Friendly Woods. Cable holds an MFA from the School of Visual Arts (2017) and a BFA from the University of North Carolina, Asheville (2013). He lives and works in Brooklyn NY.
––––––––––––––––––––––––––
| 2025 | Domestic Tectonics, Amos Eno Gallery project space, New York, NY (solo exhibition) |
| 2023 | Emerging Artists 2023, dodomu, Brooklyn, NY (online) |
| 2022 | Break of Day, Edge of Night, The Painting Center, New York, NY |
| The Patriot, O'Flaherty's, New York, NY | |
| 2021 | The Space In Between, The Space In Between Gallery (online) |
| 2019 | Art and Revelry, Saint-Paul de Mausole, Saint-Rémy-de-Provence, France |
| 2018 | Place Title Here, The Plaxall Gallery, Queens, NY (with Quinn Tivey and Julianne Nash, curated by Dana Stirling) |
| L'art du Partage, Saint-Paul de Mausole, Saint-Rémy-de-Provence, France | |
| 2017 | Real Realities, UNC-Asheville, Asheville, NC (solo exhibition) |
| PULSE Miami Beach, Miami, FL (SVA Galleries booth) | |
| BOTANICAL, Local Project, Queens, NY | |
| Whispering Whims, SVA Flatiron Gallery, New York, NY | |
| SPACE (curated by Float Photo Magazine), Littlefield, Brooklyn, NY | |
| MFA Photo, Video, and Related Media Thesis Exhibition, SVA Chelsea Gallery, New York, NY | |
| 2016 | You Are One of a Kind, K&P Gallery, New York, NY |
| 404: IRL Not Found, SVA Flatiron Project Space, New York NY (installation with Selkei Moss and Sullivan Gardner) | |
| Cross-Cultural Dialogue, Fantastic Art China, Javits Center, New York, NY | |
| 2015 | Working Artists, Academic, Queens, NY |
| 2013 | Lavender War, UNC-Asheville, Asheville, NC (solo exhibition) |
| Carolina's Got Art! 2013 Juried Exhibition, Elder Gallery, Charlotte, NC (juried by Lance Esplund) |
| 2020 | Annus Horribilis, Float Photo Magazine (online; co-curator) |
| 2025 | Carey, Brainard, host. “Adam Cable." The Museum of Non-Visible Art, Yale University Radio, 17 September 2025, https://museumofnonvisibleart.com/interviews/adam-cable/ |
| 2021 | Secrets of the Friendly Woods, The Wassaic Project, Wassaic, NY |
| Ren, Lingfei, "Curation," Musée Magazine, Issue 25, New York, NY | |
| Annus Horribilis, Float Photo Magazine, New York, NY | |
| 2017 | Calder, Thomas, "Asheville Art Talk: Former UNC Asheville student returns to campus as visiting artist," Mountain Xpress, August 23, 2017 |
| 2016 | "At Work," All the best, Alice, Visual Arts Press, New York, NY |
| 2017 | MFA: Photography, Video, and Related Media, School of Visual Arts, New York, NY |
| 2013 | BFA: Studio Art; Undergraduate Research Scholar, University of North Carolina Asheville, Asheville, NC |